Title: Ore no Nounai Sentakushi ga Gakuen Love Come o Zenryoku de Jama Shiteiru (aka Noucome)
Release Date: Oct. 9, 2013
Studio: Diomedea
Genre: Comedy, Romance, Fantasy
Premise: Kanade Amakusa is just like any other high school-age boy, except for his ability (or is it a curse?) of Absolute Multiple Choice: periodically Kanade is presented with two equally absurd choices, and whichever he chooses will come to pass in the real world.
Verdict: I am pleasantly surprised. Usually romantic comedy anime cash in on gratuitous shots of bouncing boobies and underwear, but every once in a while there's a show that tips the scale more towards laughs than fan service. Noucome is just such a show. Good humor subverts the audience's expectations by introducing extraordinary elements to ordinary situations. And nothing is more extraordinary than Kanade's Absolute Multiple Choice.
Imagine having a completely innocuous conversation with a classmate and suddenly being forced to choose between 1) asking to touch her boobs and 2) asking her to touch yours. This is only the first of many difficult choices Kanade is forced to make throughout the day, and I'd really feel for the guy if I wasn't too busy laughing. Each Absolute Multiple Choice provides a one-two comedy punch of anticipation over which answer he'll choose and payoff watching his choices play out in reality. It's a unique gimmick that shouldn't get old for a while.
It's a bit early to comment on the anime's story since the catalyst for the romantic part of the show wasn't introduced until the end of the episode. After a day of dealing with particularly bizarre choices, Kanade is presented with the choice of either catching a beautiful girl who falls from the sky or catching his overweight neighbor; he elects the former and a new chapter of his life appears to begin. This girl from the sky claims she's here to rescue him, but it remains to be seen how she'll accomplish this. In the meantime, the shenanigans that are sure to follow should peak viewers' interest.
Friday, October 11, 2013
Thursday, October 10, 2013
The Fall Anime Season is Here (Part 8)!
Title: Kyousogiga
Release Date: Oct. 10, 2013
Studio: Toei Animation
Genre: Fantasy, Supernatural, Action/Adventure
Premise: A monk whose drawings come to life and his anthropomorphic bunny wife create and inhabit a fictionalized version of Kyoto for several years before disappearing. Some time later the monk's son, who has taken his name, encounters a young girl - the first human to cross into the "other" Kyoto in several years.
Verdict: Every once in a while an anime comes along that is so original, so wildly creative and ambitiously different, that it demands to be seen. At the turn of the century, it was FLCL. In 2010, it was The Tatami Galaxy. And when industry powerhouse Toei Animation trotted out the first Kyousogiga ONA roughly two years ago, I had a feeling that another masterful experiment in animation had come along. After viewing the first episode of the series proper, that feeling is quickly crystallizing into certainty.
Serving as a prologue of sorts, the first episode sets up the origins of "Kyoto" (spelled using the characters for "Mirror Capitol" and pronounced "Kyoto"). We meet Kyoto's creator, Myoe, a monk whose enchanted drawings become real. Myoe's unique talents get him relocated to a remote village in Kyoto, where he is immediately shunned by the superstitious town folk. Lonely, he draws a bunny with black hair and red eyes for companionship.
The bunny, named Koto, begins to develop feelings for her creator, and her love is noticed by a bodhisattva residing in a nearby Buddha statue. The bodhisattva offers to give Koto a human form, so that she may express her feelings for Myoe more clearly, and she obliges. At first reluctant, Myoe gradually warms to his bunny wife, eventually starting a family with her: Yakushimaru, a human boy, Kurama, a boy born from Myoe's drawing, and Yase, a demonic girl with bouncy blonde curls. When disdain continues to pour in from the outside world, Myoe and his family decide to depart to a different Kyoto that has been created from his drawings.
In this separate dimension, the family lives out many happy days until Koto reveals the unfortunate truth about her human form. Although she was given a human form to express her love for Myoe, she was supposed to relinquish it the moment her feelings were returned; although Myoe has loved her back for quite some time, she has selfishly remained in her form, not wanting to return to the world outside. Touched by her devotion, Myoe agrees to leave Kyoto with her, leaving his son Yakushimaru with the title of Myoe and appointing him to watch over Kyoto in his absence.
The story then jumps forward several years, when a fully grown Yakushimaru, now going by the name "Myoe," notices a disturbance at the entrance to Kyoto. Thinking his father has returned, he rushes to the source...only to find a magical hammer-wielding teenager named Koto and her twin younger brothers.
What brings Koto to this dimension, her connection to Myoe, and the whereabouts of the original Myoe and Koto remain to be seen. All that I know is that I'll be along for the ride. Despite the heavy exposition, newcomer director and series creator Rie Matsumoto is able to string together beautiful image after beautiful image. The streets of Mirror Capitol Kyoto are colorful, bizarre and teeming with character; Matsumoto has created an interesting world for her characters to inhabit, and if Koto's sudden arrival is any indication, it might not be the only one out there. I will definitely be tuning in to find out.
Release Date: Oct. 10, 2013
Studio: Toei Animation
Genre: Fantasy, Supernatural, Action/Adventure
Premise: A monk whose drawings come to life and his anthropomorphic bunny wife create and inhabit a fictionalized version of Kyoto for several years before disappearing. Some time later the monk's son, who has taken his name, encounters a young girl - the first human to cross into the "other" Kyoto in several years.
Verdict: Every once in a while an anime comes along that is so original, so wildly creative and ambitiously different, that it demands to be seen. At the turn of the century, it was FLCL. In 2010, it was The Tatami Galaxy. And when industry powerhouse Toei Animation trotted out the first Kyousogiga ONA roughly two years ago, I had a feeling that another masterful experiment in animation had come along. After viewing the first episode of the series proper, that feeling is quickly crystallizing into certainty.
Serving as a prologue of sorts, the first episode sets up the origins of "Kyoto" (spelled using the characters for "Mirror Capitol" and pronounced "Kyoto"). We meet Kyoto's creator, Myoe, a monk whose enchanted drawings become real. Myoe's unique talents get him relocated to a remote village in Kyoto, where he is immediately shunned by the superstitious town folk. Lonely, he draws a bunny with black hair and red eyes for companionship.
The bunny, named Koto, begins to develop feelings for her creator, and her love is noticed by a bodhisattva residing in a nearby Buddha statue. The bodhisattva offers to give Koto a human form, so that she may express her feelings for Myoe more clearly, and she obliges. At first reluctant, Myoe gradually warms to his bunny wife, eventually starting a family with her: Yakushimaru, a human boy, Kurama, a boy born from Myoe's drawing, and Yase, a demonic girl with bouncy blonde curls. When disdain continues to pour in from the outside world, Myoe and his family decide to depart to a different Kyoto that has been created from his drawings.
In this separate dimension, the family lives out many happy days until Koto reveals the unfortunate truth about her human form. Although she was given a human form to express her love for Myoe, she was supposed to relinquish it the moment her feelings were returned; although Myoe has loved her back for quite some time, she has selfishly remained in her form, not wanting to return to the world outside. Touched by her devotion, Myoe agrees to leave Kyoto with her, leaving his son Yakushimaru with the title of Myoe and appointing him to watch over Kyoto in his absence.
The story then jumps forward several years, when a fully grown Yakushimaru, now going by the name "Myoe," notices a disturbance at the entrance to Kyoto. Thinking his father has returned, he rushes to the source...only to find a magical hammer-wielding teenager named Koto and her twin younger brothers.
What brings Koto to this dimension, her connection to Myoe, and the whereabouts of the original Myoe and Koto remain to be seen. All that I know is that I'll be along for the ride. Despite the heavy exposition, newcomer director and series creator Rie Matsumoto is able to string together beautiful image after beautiful image. The streets of Mirror Capitol Kyoto are colorful, bizarre and teeming with character; Matsumoto has created an interesting world for her characters to inhabit, and if Koto's sudden arrival is any indication, it might not be the only one out there. I will definitely be tuning in to find out.
The Fall Anime Season is Here (Part 7)!
Title: Galilei Donna
Release Date: Oct. 10, 2013
Studio: A-1 Pictures
Genre: Action/Adventure, Sci-Fi, Comedy
Premise: Three estranged sisters, who happen to be descended from Italian astronomer Galileo Galilei, are thrown into an adventure when a secret organization attempts to abduct them one day.
Verdict: I'll admit this one slipped under my radar, but after watching the first episode I'm glad I gave it a chance. Add in the futuristic sci-fi setting, the involvement of studio A-1 Pictures and director Yasuomi Umetsu, of Kite and Mezzo Forte fame, and I'm surprised I made it this far without hearing about it.
When the episode begins, the shock of the abductions hits you as suddenly as it hits the three protagonists. Hazuki Ferrari, 20, Kazuki Ferrari, 17, and Hozuki Ferrari, 13, are all going about their lives with little regard for one another. Hazuki, a jaded law student who is failing out of her program, skips classes to go drinking with her friends. High schooler Kazuki is also skipping class (the lesson included a group exercise and she's a serious misanthrope) to lounge in the nurse's office and fawn over a picture of her crush. Hozuki avoids school altogether, tinkering in her garage and wandering the streets on her collapsible motorized scooter. The peace of their idyllic lives is shattered as men in sunglasses attack Hazuki and Kazuki, while a UAV drone swoops down and begins pursuing Hozuki through the streets.
All three sisters manage to beat back their would-be abductors - Hazuki with her words, Kazuki with her fists, and Hozuki with her invented gadgets - and show off their different personalities and talents in the process. Each has her shortcomings, but all three sisters are brilliant in some way. We are also introduced to a colorful cast of secondary characters, including the girls' dysfunctional divorced parents, overbearing Sylvia and easy-going academic Geshio, and a flashy sky pirate captain named Cicinho. It's never made clear what the mysterious kidnappers are after, but it's still early enough in the game to leave those answers for later.
There's already plenty to look forward to with this one. I'm eager to see how the girls' different skills, Hozuki's brains, Kazuki's brawn, and Hazuki's smart mouth, will work together. Not to mention sparks are already flying between Cicinho and the hot-headed Hazuki, whom he has affectionately nicknamed "Bambina." There are a lot interesting pieces at play already, and with A-1 Pictures' track record, this might be another home run original series.
Release Date: Oct. 10, 2013
Studio: A-1 Pictures
Genre: Action/Adventure, Sci-Fi, Comedy
Premise: Three estranged sisters, who happen to be descended from Italian astronomer Galileo Galilei, are thrown into an adventure when a secret organization attempts to abduct them one day.
Verdict: I'll admit this one slipped under my radar, but after watching the first episode I'm glad I gave it a chance. Add in the futuristic sci-fi setting, the involvement of studio A-1 Pictures and director Yasuomi Umetsu, of Kite and Mezzo Forte fame, and I'm surprised I made it this far without hearing about it.
When the episode begins, the shock of the abductions hits you as suddenly as it hits the three protagonists. Hazuki Ferrari, 20, Kazuki Ferrari, 17, and Hozuki Ferrari, 13, are all going about their lives with little regard for one another. Hazuki, a jaded law student who is failing out of her program, skips classes to go drinking with her friends. High schooler Kazuki is also skipping class (the lesson included a group exercise and she's a serious misanthrope) to lounge in the nurse's office and fawn over a picture of her crush. Hozuki avoids school altogether, tinkering in her garage and wandering the streets on her collapsible motorized scooter. The peace of their idyllic lives is shattered as men in sunglasses attack Hazuki and Kazuki, while a UAV drone swoops down and begins pursuing Hozuki through the streets.
All three sisters manage to beat back their would-be abductors - Hazuki with her words, Kazuki with her fists, and Hozuki with her invented gadgets - and show off their different personalities and talents in the process. Each has her shortcomings, but all three sisters are brilliant in some way. We are also introduced to a colorful cast of secondary characters, including the girls' dysfunctional divorced parents, overbearing Sylvia and easy-going academic Geshio, and a flashy sky pirate captain named Cicinho. It's never made clear what the mysterious kidnappers are after, but it's still early enough in the game to leave those answers for later.
There's already plenty to look forward to with this one. I'm eager to see how the girls' different skills, Hozuki's brains, Kazuki's brawn, and Hazuki's smart mouth, will work together. Not to mention sparks are already flying between Cicinho and the hot-headed Hazuki, whom he has affectionately nicknamed "Bambina." There are a lot interesting pieces at play already, and with A-1 Pictures' track record, this might be another home run original series.
Monday, October 7, 2013
The Fall Anime Season is Here (Part 6)!
Title: Gingitsune
Release Date: Oct. 6, 2013
Studio: Diomedea
Genre: Supernatural, Slice of Life
Premise: Shortly after the death of her mother, 4-year-old Makoto Saeki begins to see a silver fox spirit lounging on the roof of her family's shrine. Several years later, Makoto, now a high school student, has become something of a local favorite, working with Gin, the fox spirit, to tell people's fortunes and give them advice.
Verdict: A solid pilot from a simple premise. Studio Medea has primarily been known for its lighthearted harem fare, but their latest series seems to be going in a more serious, girl-oriented direction for them.
Makoto is your average high school girl, barring the fact that she and only she can see a gigantic talking fox with supernatural abilities. Gin, voiced by the incredible Shinichiro Miki, has served as the herald, or spirit messenger, for Makoto's shrine for 15 generations. Understandably, Gin approaches his responsibilities as herald with the jaded dutifulness of a veteran blue collar worker. It doesn't help matters that Makoto routinely uses his divining powers just to tell fortunes for her classmates. One such girl seeks Makoto out after a fight with her boyfriend. Makoto relates Gin's advice (apologize) but leaves out a key part (apologize humbly) and ends up making matters worse. Instead of owning her mistake she blames Gin, who subsequently departs the shrine in a huff. In his absence, things begin to fall apart for Makoto, and her client isn't the only one who's learned something by episode's end.
I could see this quickly turning into a series of after school specials, with each week bringing a problem that teaches a different moral, but I will stick around as long as the beautiful art keeps coming. The scene where Gin first summons his divining powers can only be described as majestic, and the shots of the shrines that the spirits call home are faithful depictions of classic Japanese architecture. You probably won't get any earth-shattering revelations out of a show like this, but the art direction is worth repeat viewings.
Release Date: Oct. 6, 2013
Studio: Diomedea
Genre: Supernatural, Slice of Life
Premise: Shortly after the death of her mother, 4-year-old Makoto Saeki begins to see a silver fox spirit lounging on the roof of her family's shrine. Several years later, Makoto, now a high school student, has become something of a local favorite, working with Gin, the fox spirit, to tell people's fortunes and give them advice.
Verdict: A solid pilot from a simple premise. Studio Medea has primarily been known for its lighthearted harem fare, but their latest series seems to be going in a more serious, girl-oriented direction for them.
Makoto is your average high school girl, barring the fact that she and only she can see a gigantic talking fox with supernatural abilities. Gin, voiced by the incredible Shinichiro Miki, has served as the herald, or spirit messenger, for Makoto's shrine for 15 generations. Understandably, Gin approaches his responsibilities as herald with the jaded dutifulness of a veteran blue collar worker. It doesn't help matters that Makoto routinely uses his divining powers just to tell fortunes for her classmates. One such girl seeks Makoto out after a fight with her boyfriend. Makoto relates Gin's advice (apologize) but leaves out a key part (apologize humbly) and ends up making matters worse. Instead of owning her mistake she blames Gin, who subsequently departs the shrine in a huff. In his absence, things begin to fall apart for Makoto, and her client isn't the only one who's learned something by episode's end.
I could see this quickly turning into a series of after school specials, with each week bringing a problem that teaches a different moral, but I will stick around as long as the beautiful art keeps coming. The scene where Gin first summons his divining powers can only be described as majestic, and the shots of the shrines that the spirits call home are faithful depictions of classic Japanese architecture. You probably won't get any earth-shattering revelations out of a show like this, but the art direction is worth repeat viewings.
Friday, October 4, 2013
The Fall Anime Season is Here (Part 5)!
Title: Outbreak Company
Release Date: Oct. 3, 2013
Studio: Feel
Genre: Comedy, Harem, Supernatural, Ecchi
Premise: After acing an online pop culture quiz, bona fide otaku Kanou Shinichi is recruited by an undercover government agency to serve as an economic liaison between Japan and a newly discovered fantasy world in another dimension.
Verdict: Pretty funny for a harem. I tend to steer clear of anime that is too heavy on the fanservice, but so far OC has given some substance to a genre that is often nothing but ass n titties. As is customary for a typical harem character, Shinichi is a thoroughbred geek. He is fluent in all pop culture references and tropes, maintains a significant collection of figurines, games, and tankobon, and, most tellingly, has no love life to speak of, having long since been rejected (by his childhood friend, no less!) for his peculiar interests. Likewise, the female characters introduced so far all fit into particular moe tropes: the timid and clumsy petite maid, the busty and mature older sister, and the fussy, temperamental younger sister.
Where the show really gets its legs is the unique setting: the magical kingdom of Eldant. Shinichi wakes up in this fantasy world filled with dragons, elves and lizard men after coming to what he thought was a job interview for a tech company. His interviewer turns out to be a government big shot who has scouted Shinichi to manage mass media distribution for his company, Amutec's, newly formed Eldant branch, in charge of marketing anime, manga and video games to Eldant's population. The job's appeal is easy to see - I don't think there's an otaku alive who would pass up the chance to explain the merits of Street Fighter compared to Dead or Alive to a real live elf - and this should give the show some substance in between conveniently angled panty shots. All in all the pop culture references and celebration of geek culture make this one harem I can get behind. Give it a spin!
Release Date: Oct. 3, 2013
Studio: Feel
Genre: Comedy, Harem, Supernatural, Ecchi
Premise: After acing an online pop culture quiz, bona fide otaku Kanou Shinichi is recruited by an undercover government agency to serve as an economic liaison between Japan and a newly discovered fantasy world in another dimension.
Verdict: Pretty funny for a harem. I tend to steer clear of anime that is too heavy on the fanservice, but so far OC has given some substance to a genre that is often nothing but ass n titties. As is customary for a typical harem character, Shinichi is a thoroughbred geek. He is fluent in all pop culture references and tropes, maintains a significant collection of figurines, games, and tankobon, and, most tellingly, has no love life to speak of, having long since been rejected (by his childhood friend, no less!) for his peculiar interests. Likewise, the female characters introduced so far all fit into particular moe tropes: the timid and clumsy petite maid, the busty and mature older sister, and the fussy, temperamental younger sister.
Where the show really gets its legs is the unique setting: the magical kingdom of Eldant. Shinichi wakes up in this fantasy world filled with dragons, elves and lizard men after coming to what he thought was a job interview for a tech company. His interviewer turns out to be a government big shot who has scouted Shinichi to manage mass media distribution for his company, Amutec's, newly formed Eldant branch, in charge of marketing anime, manga and video games to Eldant's population. The job's appeal is easy to see - I don't think there's an otaku alive who would pass up the chance to explain the merits of Street Fighter compared to Dead or Alive to a real live elf - and this should give the show some substance in between conveniently angled panty shots. All in all the pop culture references and celebration of geek culture make this one harem I can get behind. Give it a spin!
The Fall Anime Season is Here (Part 4)!
Title: Nagi no Asukara
Release Date: Oct 3, 2013
Studio: P.A. Works
Genre: Supernatural, School Life, Romance
Premise: Hikari Sakishima and his three friends, all children from a race of sea-dwelling humans, must attend school with humans on the surface after their underwater middle school closes its doors. Hikari must contend with the ridicule of his land-dwelling classmates, the ire of his fellow sea-dwellers, and a surface boy who has taken a special interest in his childhood friend, Manaka.
Verdict: I probably should have expected this since P.A. Works was involved, but this really registered with me on an emotional level. This will probably hold true for any viewer who has known young love, especially love of the unrequited variety. As Hikari opines in the opening scenes:
"What can I do? Without someone else, she just wouldn't get through life. I have to be with her."
By the time the end credits roll, however, it's apparent to everyone (except perhaps Hikari himself) that he may actually be the one who needs her. The surface boy, Tsumugu, throws many a wayward glance in Manaka's direction, and she doesn't seem to mind the attention. To make matters worse, Manaka's friend Chisaki carries a flame for Hikari; and there's a touching scene where she reveals she is torn between her feelings for Hikari and her friendship with Manaka. Experience says this unrequited love rectangle is sure to only get more complicated as time goes on.
To keep from telling another stale young love story, Nagi no Asukara also adds supernatural elements. Legend has it that all humanity is descended from the ancient sea god, originally living underwater. When a faction of mankind ditched their gills to live on land, the sea god became angry, leading to mankind's travails with droughts and fights over fresh drinking water. Mankind sent sacrificial maidens out to sea in boats to appease the sea god, and sea dwellers are supposedly the offspring of the sea god and said maidens.
Despite these shared origins, it is clear that tensions between the land and the sea are running high. Surface kids tell Hikari and his friends that they "stink of fish" and vandalize his older sister's workplace. The men of his underwater village gripe about fishermen who fish outside of their designated zones. Hikari, who is heir to the shrine where his father serves as high priest, must lend an ear to his fellow villagers' complaints and try to make sense of it all.
It makes for an interesting mix of elements. There looks to be a large ensemble of characters, and write Mari Okada (whose past credits include the excellent Wandering Son and tear-jerking Anohana) seems more than able to communicate everyone's frenzied jumble of emotions. Supporting characters like Lord Uroko (who is already my favorite) should flesh out Hikari and co.'s underwater world and provide some lighthearted moments between bouts of teenage angst. P.A. Works looks like they have another hit on their hands with this one.
Release Date: Oct 3, 2013
Studio: P.A. Works
Genre: Supernatural, School Life, Romance
Premise: Hikari Sakishima and his three friends, all children from a race of sea-dwelling humans, must attend school with humans on the surface after their underwater middle school closes its doors. Hikari must contend with the ridicule of his land-dwelling classmates, the ire of his fellow sea-dwellers, and a surface boy who has taken a special interest in his childhood friend, Manaka.
Verdict: I probably should have expected this since P.A. Works was involved, but this really registered with me on an emotional level. This will probably hold true for any viewer who has known young love, especially love of the unrequited variety. As Hikari opines in the opening scenes:
"What can I do? Without someone else, she just wouldn't get through life. I have to be with her."
By the time the end credits roll, however, it's apparent to everyone (except perhaps Hikari himself) that he may actually be the one who needs her. The surface boy, Tsumugu, throws many a wayward glance in Manaka's direction, and she doesn't seem to mind the attention. To make matters worse, Manaka's friend Chisaki carries a flame for Hikari; and there's a touching scene where she reveals she is torn between her feelings for Hikari and her friendship with Manaka. Experience says this unrequited love rectangle is sure to only get more complicated as time goes on.
To keep from telling another stale young love story, Nagi no Asukara also adds supernatural elements. Legend has it that all humanity is descended from the ancient sea god, originally living underwater. When a faction of mankind ditched their gills to live on land, the sea god became angry, leading to mankind's travails with droughts and fights over fresh drinking water. Mankind sent sacrificial maidens out to sea in boats to appease the sea god, and sea dwellers are supposedly the offspring of the sea god and said maidens.
Despite these shared origins, it is clear that tensions between the land and the sea are running high. Surface kids tell Hikari and his friends that they "stink of fish" and vandalize his older sister's workplace. The men of his underwater village gripe about fishermen who fish outside of their designated zones. Hikari, who is heir to the shrine where his father serves as high priest, must lend an ear to his fellow villagers' complaints and try to make sense of it all.
It makes for an interesting mix of elements. There looks to be a large ensemble of characters, and write Mari Okada (whose past credits include the excellent Wandering Son and tear-jerking Anohana) seems more than able to communicate everyone's frenzied jumble of emotions. Supporting characters like Lord Uroko (who is already my favorite) should flesh out Hikari and co.'s underwater world and provide some lighthearted moments between bouts of teenage angst. P.A. Works looks like they have another hit on their hands with this one.
The Fall Anime Season is Here (Part 3)!
Title: Kill la Kill
Release Date: Oct 3, 2013
Studio: Trigger
Genre: Action/Adventure, School Life
Premise: Wandering transfer student Ryuko Matoi has just arrived at Honnoji Academy in search of clues to the identity of her father's killer. Immediately clashing with domineering Student Council President Satsuki Kiryuin and her four elite underlings, Ryuko unwittingly kicks off a civil war for control of the school.
Verdict: The only acceptable reason not to be watching this show is because you are reading this blog entry about why you absofuckinglutely must watch this show. For those of you who don't know, I like director Hiroyuki Imaishi, like, A LOT. His previous effort as series director, Tengen Toppa Gurren Lagann, is still on a lot of people's Top 10 lists, and all of those people (myself included) jumped for joy when it was announced that he was starting his own animation studio. And boy, Trigger's debut project sure doesn't disappoint.
The tone is set from the opening sequence, as Head of the Discipline Committee Gamagori exposes, confronts and lays the smackdown on an unruly student.
The poor chap ends up ass-naked and embedded in the outer wall surrounding the courtyard, and everything about Honnoji Academy, from the overbearing oppressive atmosphere to the clearly defined villainous role of Sastuki Kiryuin, is made abundantly clear. Honnoji Academy is made up of a strict caste system, and Satsuki, whose father runs the school's board of directors, is alone at the top; even the school's principal recognizes her authority. Social status is determined by the school's special Goku uniforms, which grant special powers to the wearer. The higher a person is ranked, the more stars their Goku uniform has, with general students designated as no-stars, exceptional students as one stars, and Satsuki's chosen elite getting uniforms with two or more stars.
Into this delicate balance comes Ryuko, wielding half of a pair of gigantic scissor blades. She is searching for the owner of the other half, claiming that this person is responsible for murdering her father. Her blatant disregard for school customs quickly sets her at odds with the school's elite, prompting the captain of the boxing club to put Ryuko in her place with his Goku uniform's ridiculously over-sized boxing gloves. A defeated Ryuko returns to what remains of her house and finds, of all things, a living, talking school outfit which imbues her with powers of her own...WHEW! Still with me? Good.
In the hands of nearly any other creator this would be gobbledy-gook, but with Imaishi's trademark over-the-top action-oriented style it feels fluid and, more importantly, fun. There may be some well-warranted gripes about the skimpiness of Ryuko's outfit, but I'm still glad to see a show with not one but two solid female leads playing off of one another. The 24-minute episode blazed past, and seasoned Imaishi veterans know it's only likely to get more crazy from here on out. If you pick one series to watch this season, this is the one show worth "trying on."
Release Date: Oct 3, 2013
Studio: Trigger
Genre: Action/Adventure, School Life
Premise: Wandering transfer student Ryuko Matoi has just arrived at Honnoji Academy in search of clues to the identity of her father's killer. Immediately clashing with domineering Student Council President Satsuki Kiryuin and her four elite underlings, Ryuko unwittingly kicks off a civil war for control of the school.
Verdict: The only acceptable reason not to be watching this show is because you are reading this blog entry about why you absofuckinglutely must watch this show. For those of you who don't know, I like director Hiroyuki Imaishi, like, A LOT. His previous effort as series director, Tengen Toppa Gurren Lagann, is still on a lot of people's Top 10 lists, and all of those people (myself included) jumped for joy when it was announced that he was starting his own animation studio. And boy, Trigger's debut project sure doesn't disappoint.
The tone is set from the opening sequence, as Head of the Discipline Committee Gamagori exposes, confronts and lays the smackdown on an unruly student.
Pictured: The Mother of All Smackdowns |
All white? It must be a bitch keeping stains out. |
In the hands of nearly any other creator this would be gobbledy-gook, but with Imaishi's trademark over-the-top action-oriented style it feels fluid and, more importantly, fun. There may be some well-warranted gripes about the skimpiness of Ryuko's outfit, but I'm still glad to see a show with not one but two solid female leads playing off of one another. The 24-minute episode blazed past, and seasoned Imaishi veterans know it's only likely to get more crazy from here on out. If you pick one series to watch this season, this is the one show worth "trying on."
The Fall Anime Season is Here (Part 2)!
Title: Kyoukai no Kanata
Release Date: Oct 3, 2013
Studio: Kyoto Animation
Genre: Action/Adventure, Supernatural, Slice of Life, School Life, Comedy
Premise: Easy-going high school student Akihito Kanbara's peaceful life is interrupted when he thwarts the suicide attempt of Mirai Kuriyama. When Mirai rewards Akihito's bravado by stabbing him through the heart, he, an immortal half-human half-youma, and she, a Spirit World Warrior sworn to hunt youma, find their fates irreparably intertwined.
Verdict: A surprisingly pleasant first episode. This one initially swept under my radar because of the cliche setting ( high schoolers dealing with supernatural powers? again?), but the writers have created an interesting dynamic between the lead characters. After their initial encounter, Akihito does his best to avoid Mirai's constant after school ambushes. The last scion of a special clan of Spirit World Warriors with the ability to harden their blood and shape it into weapons, Mirai is something of a pariah in the Warrior community. She has yet to kill her first youma, and has resolved to use the immortal Akihito as target practice. Akihito's childhood friend (and fellow literary club member), Mitsuki Nase, also happens to be the daughter of the most prominent local family of Spirit World Warriors. She warns Akihito not to become further involved with Mirai, although it is not clear whether this is out of concern or flirtatious jealousy (since this is an anime, it's probably both).
Studio Kyoto Animation has a significant track record of "school life with a twist" series under its belt, having previously released such classics as Full Metal Panic and The Melancholy of Haruhi Suzumiya, and their experience is apparent here. Lighthearted segments of everyday high school life are peppered with dazzling bits of smoothly animated supernatural fighting action, and the transitions between the two feel very natural. Writer Jukki Hanada has done a good job of whetting my interest and setting up some intriguing questions to be answered in future episodes. This remains one to watch.
Release Date: Oct 3, 2013
Studio: Kyoto Animation
Genre: Action/Adventure, Supernatural, Slice of Life, School Life, Comedy
Premise: Easy-going high school student Akihito Kanbara's peaceful life is interrupted when he thwarts the suicide attempt of Mirai Kuriyama. When Mirai rewards Akihito's bravado by stabbing him through the heart, he, an immortal half-human half-youma, and she, a Spirit World Warrior sworn to hunt youma, find their fates irreparably intertwined.
Verdict: A surprisingly pleasant first episode. This one initially swept under my radar because of the cliche setting ( high schoolers dealing with supernatural powers? again?), but the writers have created an interesting dynamic between the lead characters. After their initial encounter, Akihito does his best to avoid Mirai's constant after school ambushes. The last scion of a special clan of Spirit World Warriors with the ability to harden their blood and shape it into weapons, Mirai is something of a pariah in the Warrior community. She has yet to kill her first youma, and has resolved to use the immortal Akihito as target practice. Akihito's childhood friend (and fellow literary club member), Mitsuki Nase, also happens to be the daughter of the most prominent local family of Spirit World Warriors. She warns Akihito not to become further involved with Mirai, although it is not clear whether this is out of concern or flirtatious jealousy (since this is an anime, it's probably both).
Studio Kyoto Animation has a significant track record of "school life with a twist" series under its belt, having previously released such classics as Full Metal Panic and The Melancholy of Haruhi Suzumiya, and their experience is apparent here. Lighthearted segments of everyday high school life are peppered with dazzling bits of smoothly animated supernatural fighting action, and the transitions between the two feel very natural. Writer Jukki Hanada has done a good job of whetting my interest and setting up some intriguing questions to be answered in future episodes. This remains one to watch.
Thursday, October 3, 2013
The Fall Anime Season is Here (Part 1)!
Title: Coppelion
Release Date: Oct 2, 2013
Studio: GoHands
Genre: Sci Fi, Suspense, Survival Horror
Premise: Following a catastrophic meltdown at a nuclear power plant in 2016, Tokyo became a radiated ghost town. Twenty years later, three teenage girls bioengineered to withstand the high radiation are dispatched to investigate the increasing number of SOS signals coming from the remains of the city.
Verdict: An interesting enough pilot. The skeleton of Tokyo, gutted by the nuclear fallout from the meltdown, is beautifully realized by GoHands' super-talented animation staff. Dust particles swirl and blades of grass bob in the wind on the deserted highways that have been reclaimed by nature. Entire buildings list to one side or the other, downed telephone poles and street signs littering the streets below. The production design alone makes I Am Legend look like Wonkaland.
The characters themselves are fairly distinct types as well. Ibara, the fearless maverick leader, leads the bespectacled animal-loving Taeko and the energetic (read: already annoying moe-blob) Aoi through the ruins with a refreshingly steely resolve that many anime heroines have been sorely lacking. Their mission is pretty straightforward (walk around investigating SOS signals, rescue people who aren't too crispy), but the pilot raises many more questions by its conclusion.
What happened to cause the meltdown in the first place? Are humans the only thing they need to worry about finding out here? Why is their handler from the Self Defense Force such a humorless dick? I am more than satisfied with GoHands' track record (if you haven't caught the Mardock Scramble trilogy, remedy your grievous mistake, immediately) to patiently wait for some more answers. Time will tell if the slow sizzle of this first episode will ever come to a boil, but I think this is one to keep your eye on.
Release Date: Oct 2, 2013
Studio: GoHands
Genre: Sci Fi, Suspense, Survival Horror
Premise: Following a catastrophic meltdown at a nuclear power plant in 2016, Tokyo became a radiated ghost town. Twenty years later, three teenage girls bioengineered to withstand the high radiation are dispatched to investigate the increasing number of SOS signals coming from the remains of the city.
Verdict: An interesting enough pilot. The skeleton of Tokyo, gutted by the nuclear fallout from the meltdown, is beautifully realized by GoHands' super-talented animation staff. Dust particles swirl and blades of grass bob in the wind on the deserted highways that have been reclaimed by nature. Entire buildings list to one side or the other, downed telephone poles and street signs littering the streets below. The production design alone makes I Am Legend look like Wonkaland.
The characters themselves are fairly distinct types as well. Ibara, the fearless maverick leader, leads the bespectacled animal-loving Taeko and the energetic (read: already annoying moe-blob) Aoi through the ruins with a refreshingly steely resolve that many anime heroines have been sorely lacking. Their mission is pretty straightforward (walk around investigating SOS signals, rescue people who aren't too crispy), but the pilot raises many more questions by its conclusion.
What happened to cause the meltdown in the first place? Are humans the only thing they need to worry about finding out here? Why is their handler from the Self Defense Force such a humorless dick? I am more than satisfied with GoHands' track record (if you haven't caught the Mardock Scramble trilogy, remedy your grievous mistake, immediately) to patiently wait for some more answers. Time will tell if the slow sizzle of this first episode will ever come to a boil, but I think this is one to keep your eye on.
Subscribe to:
Posts (Atom)