Release Date: Oct 3, 2013
Studio: P.A. Works
Genre: Supernatural, School Life, Romance
Premise: Hikari Sakishima and his three friends, all children from a race of sea-dwelling humans, must attend school with humans on the surface after their underwater middle school closes its doors. Hikari must contend with the ridicule of his land-dwelling classmates, the ire of his fellow sea-dwellers, and a surface boy who has taken a special interest in his childhood friend, Manaka.
Verdict: I probably should have expected this since P.A. Works was involved, but this really registered with me on an emotional level. This will probably hold true for any viewer who has known young love, especially love of the unrequited variety. As Hikari opines in the opening scenes:
"What can I do? Without someone else, she just wouldn't get through life. I have to be with her."
By the time the end credits roll, however, it's apparent to everyone (except perhaps Hikari himself) that he may actually be the one who needs her. The surface boy, Tsumugu, throws many a wayward glance in Manaka's direction, and she doesn't seem to mind the attention. To make matters worse, Manaka's friend Chisaki carries a flame for Hikari; and there's a touching scene where she reveals she is torn between her feelings for Hikari and her friendship with Manaka. Experience says this unrequited love rectangle is sure to only get more complicated as time goes on.
To keep from telling another stale young love story, Nagi no Asukara also adds supernatural elements. Legend has it that all humanity is descended from the ancient sea god, originally living underwater. When a faction of mankind ditched their gills to live on land, the sea god became angry, leading to mankind's travails with droughts and fights over fresh drinking water. Mankind sent sacrificial maidens out to sea in boats to appease the sea god, and sea dwellers are supposedly the offspring of the sea god and said maidens.
Despite these shared origins, it is clear that tensions between the land and the sea are running high. Surface kids tell Hikari and his friends that they "stink of fish" and vandalize his older sister's workplace. The men of his underwater village gripe about fishermen who fish outside of their designated zones. Hikari, who is heir to the shrine where his father serves as high priest, must lend an ear to his fellow villagers' complaints and try to make sense of it all.
It makes for an interesting mix of elements. There looks to be a large ensemble of characters, and write Mari Okada (whose past credits include the excellent Wandering Son and tear-jerking Anohana) seems more than able to communicate everyone's frenzied jumble of emotions. Supporting characters like Lord Uroko (who is already my favorite) should flesh out Hikari and co.'s underwater world and provide some lighthearted moments between bouts of teenage angst. P.A. Works looks like they have another hit on their hands with this one.
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